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Impersonation is the Highest Form of Flattery, or is it? The Danger of AI...

From AI generated essays to art, this technological revolution has and will continue to create many legal issues for its engineers and affected creatives alike.…

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Interview with Donald S. Passman on his 11th Edition of “All You Need To Know...

In this interview with Donald S. Passman, we discuss his 11th edition of “All You Need to Know About the Music Business”. Read below as…

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The Copyright Hearings

For more than a year now the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet has been conducting a series of hearings as…

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Reporting on SoundCloud

In the years since the rise and subsequent fall of Napster, the distribution of recorded music has, for better or worse, become primarily about maximizing…

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Copyright in Public Places

“All the world’s a stage,” wrote Shakespeare in As You Like It, and he said as much in other plays. The public performance of creative…

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Post-1978 Copyright Reversions

2013 marked the first year that sound recording and musical composition copyrights could revert from labels and publishers, respectively, to artists and songwriters. The Copyright…

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Sampling Without A License

Sampling has been controversial from the very start. Supporters of the practice argue that artists sample songs they love and build on them to create their…

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The Performance Right Juncture: Compositions

Two exclusive rights of copyright are at the heart of the worldwide business of music. They involve musical compositions and sound recordings, the rights of…

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The Performance Right Juncture: Sound Recordings

Prior to 1972, no federal copyright protection existed for sound recordings. Congress rectified that situation by extending copyright to any recordings that were fixed on…

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The Case For SoundCloud

SoundCloud’s mission has been to offer a free-to-register music platform with little or no advertising. It has gained a reputation since its foundation in 2007…

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Pandora’s Evolution

Of late, the sustainability of streaming giant Pandora has become questionable. Losses are fivefold what they were a year ago, even though revenue has grown…

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YouTube’s Value Gap

In the beginning of the XXth Century music consumption did not compare with today. Music publishers, for instance, were used to generate revenue mostly through…

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Consent and Songwriters’ Rights

In June, the United States Department of Justice both denied a review of ASCAP and BMI’s consent decrees and extended the reach of the decrees…

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2016 in Review

New developments marked the US music business in 2016, There was welcome growth in recorded music sales driven by more streams and streaming services. Still,…

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Trademark: The Importance of Brand-Artist Protection

In an industry dominated by corporate sponsorship, discussion regarding music-brand relationships has been a pressing topic of interest. Lately there has been an increase in…

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China and the Monopoly of Music Streaming

Despite the immense size of China’s music streaming market, Chinese recorded music revenues are minimal. The country made the Top 20 in the IFPI’s ranking…

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An Introduction to the Berne Convention

The United States and Canada are two of the 174 member countries in the Berne Convention for the Protection of Literary and Artistic Arts. This…

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Music Creators Comprehension of Copyright

By Scott M. Huff Introduction It has been said, “it all starts with a song.” Anyone in the music business would agree that a musical…

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The Music Industry (Taylor’s Version): How Taylor Swift Is Impacting the...

Taylor Swift is a household name that has been making headlines and breaking records in the music industry for over fifteen years. As an artist,…

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The Hardships of Hipgnosis Songs Fund in Light of Phonorecords III

by Kaja Deric and Vincent Williams Introduction In the years following the enactment of the Music Modernization Act, there have been numerous advancements in royalty…

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